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Regular sequences of equal sized multi-coloured spots, perfectly painted on a crisp white background appear innocuous yet are another embodiment of his interest in dichotomies.At once joyous and discordant, no two dots or paintings, of which there are now over one thousand, are the same.In a bid to both shock and reveal, the glass vitrine gives both proximity and distance from the animal, objectifying it and allowing for 360 degree views.
Dead animals frozen in formaldehyde, live maggots and butterflies were put on display in a defiant move to confront mortality and life’s proximity to death.
Taking inspiration from a range of sources including abstract expressionists John Hoyland and Willem de Kooning, he has cultivated a style recognisable for its brash monumentalism and unapologetic gall.
Born in Bristol in 1965, Hirst emerged as a leading ‘enfant terrible’ in the Young British Artists (the YBAs) movement in the late 1980s and 1990’s.
The 1960s was the decade dominated by the Vietnam War, Civil Rights Protests, Cuban Missile Crisis, antiwar protests and saw the assassinations of US President John F.
Known for his death-themed works such as “The Physical Impossibility of Death in the Mind of Someone Living,” which was part of a series of artworks in which he preserved whole and dissected animals in formaldehyde. However, the snake can be overly suspicious, which makes them a bit paranoid.
Damien Steven Hirst is an English artist, entrepreneur, and art collector.